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[39][40][41], Rolling Stone described the music video as "chock full of two things: fire and the color pink. "[51][52] MTV's Nadeska Alexis selected "Cassie's transformation into a man, sporting a dark blue suit with cropped neon hair, is our favorite look. [14][15], The BBC described "The Boys" as having "a mix of dancehall, folk and machine gun beats. [35][36][37] The official music video for "The Boys" premiered on October 18, 2012, on Vevo. A scene is shown of a man unconsciously knocked out with sounds of fire alarms going off. "The Boys" is a song recorded by Trinidadian-American rapper and singer Nicki Minaj and American singer Cassie. The song received acclaim from music critics, who complimented Minaj's rapping style, its structure and Cassie's inclusion. [39][40], Minaj and Cassie go through many costume changes in the video. Cassie! "[42] Vibe called it "steamy" and "sexuality-challenging,"[43] and explored discussion of women "exhibiting lesbian curiosity. A judge handed a significant win to Nicki Minaj on Wednesday, finding that she did not commit copyright infringement when she created a song based on Tracy Chapman’s “Baby Can I Hold Yo… It's not that we're against the boys; we just wanted to sing about them. It was written by Max Martin, Savan Kotecha, Rickard Göransson and Minaj, and produced by Martin, Göransson and Ilya, with Kuk Harrell serving as a vocal producer. Cassie – 'The Boys", "Nicki Minaj and Cassie Burn Up 'The Boys, "Nicki Minaj and Cassie Live in Pink-Washed World for 'The Boys, "Nicki Minaj – "The Boys" (Feat. Cassie) Video", "Nicki Minaj and Cassie Team Up for the Brightest Video Ever, for "The Boys, "Nicki Minaj Debuts Video For Cassie-Assisted Song 'The Boys': Watch", "Nicki Minaj and Cassie's 'The Boys' bangs with loud sound and colors: Watch", "Nicki Minaj ft. Cassie – "The Boys" [VIDEO]", "The 27 Sexiest GIFs From Nicki Minaj and Cassie's "The Boys" Video", "Nicki Minaj, 'The Boys' Video: Cassie Embraces Her Masculine Side, MC Busts Out in Bikini", Ultratop.be – Nicki Minaj + Cassie – The Boys", "Irishcharts.com - Discography Nicki Minaj", "South Korea Gaon International Chart (Week: September 16, 2012 to September 22, 2012)", "Nicki Minaj & Cassie Chart History (Bubbling Under Hot 100)", "Hot R&B/Hip-Hop Songs – December 8, 2012", "FMQB: Radio Industry News, Music Industry Updates, Nielsen Ratings, Music News and more! "[50] Other publications also commended Cassie's androgyny looks in the video, embracing "her masculine side in a blue suit," with Allure suggesting the "extreme looks are so easy to imitate, making Minaj and Cassie such a great (and timely) duo Halloween costume. The angle switches to Minaj pulling off in an orange Campagna T-Rex, in a yellow background sporting a blonde wig, a pink bikini, and shades. "[18] Popdust's Nate Jones gave four out of five stars to the track, saying that it is "catchy as hell, but with enough 'credibility'. Commercially, the single appeared on a few record charts, such as the US Billboard Bubbling Under Hot 100 Singles, where it peaked at number fourteen, and number forty-one on the Hot R&B/Hip-Hop Songs chart. Nicki Minaj lyrics - 240 song lyrics sorted by album, including "Boss Ass Bitch (Remix)", "I'm Legit", "Fly". News, "I'm actually going to drop my new single like next week. "[53] The music video was nominated for Best Art Direction at the 2013 MVPA Awards. ", Till the World Ends (The Femme Fatale Remix), https://en.wikipedia.org/w/index.php?title=The_Boys_(Nicki_Minaj_and_Cassie_song)&oldid=1004029689, Songs written by Jean-Baptiste (songwriter), Pages containing links to subscription-only content, Short description is different from Wikidata, Articles with failed verification from February 2019, Singlechart usages for Billboardbubbling100, Creative Commons Attribution-ShareAlike License, This page was last edited on 31 January 2021, at 19:52. Various clips of Minaj and Cassie appear as the chorus goes, including Minaj bouncing on the ball as she raps along. "[30] Spin's Marc Hogan deemed it "a hybrid between the light, buoyant pop of Minaj's biggest hit to date, "Super Bass," and her old, unhinged guest and mixtape appearances. "[13] Minaj and Cassie had previously collaborated on the unreleased song "Fuck U Silly," that was leaked online in January 2010. It features a mix of synth swoops, syncopated percussion and gurgling acoustic guitar arpeggios by Jeberg and Baptiste. I've never done a video that's actually felt like pop art when I was on the set. "[28] MTV's Michael Depland remarked that "on her latest banga, Nicki spits hot rhymes while Cassie brings the smooth vocals," and recognized they "make a pretty spectacular team. The final scene originated from Tilley so there would be "some sort of ending to the story." It also charted in European countries including Belgium, Ireland and the United Kingdom. "[12] "I love her verses on this record, she went in," Cassie told MTV News about working with Minaj, "I love when women collab and are all about girl power. And Nicki is so inspiring, I learned so much from her just even being on camera and watching her perform. "The Boys" is a song recorded by Trinidadian-American rapper and singer Nicki Minaj and American singer Cassie. ", "Cassie Talks About Her Upcoming Album, Whitney Houston's Career, Shares Advice From Diddy & More", "Nicki Minaj And Cassie Team Up To 'Make Fun' of 'The Boys, "Nicki Minaj Heats Up Cassie's Aptly Titled 'F*ck U Silly, "New Music: Cassie f/ Nicki Minaj - 'F**k U Silly, "BBC - Music - Review of Nicki Minaj - Pink Friday: Roman Reloaded – The Re-Up", "Nicki Minaj takes 'The Boys' to task in new single". [Verse 4: Nicki Minaj] Ayo, Draco got that kick-back When it kick-back, you can't get yo shit back In fact this that bitch that "I hate small talk, I don't fuck with chit-chat" AC just stopped workin' Musically, it features strong basslines and synthesizers, along with guitar riffs and rapping. Discover new music on MTV. [6], "The Boys" takes origins from a demo originally recorded solely by Cassie called "Money on Love," intended to be the singer's second single from her second studio album, following "King of Hearts." [47] Katie Hasty from HitFix noted that it "will ring familiar, albeit in furious colors of magenta, aggressive greens, volcanic reds and the rapper's favorite color" on the track that "takes solid aim at the boys of hip-hop, how they expect their "love" to be hand-delivered as a commodity," and that its creators also tried to mix up the genders with the styling in the visuals, "by putting Cassie in a suit without a shirt on underneath, for instance, or Nicki rocking denim in a princess-styled two-piece. Initially a track recorded by Cassie for her second studio album under the title "Money on Love," it was subsequently played for Minaj during sessions for The Re-Up, who decided to keep Cassie's vocals but wrote her own verses with certain production portions also being re-worked. Swalla Lyrics: Drank / Young Money / Love in a thousand different flavors / I wish that I could taste them all tonight / No, I ain't got no dinner plans / So you should bring all your friends / I [9] In the lyrical content, it appears to have Minaj rapping her "most ferocious lines" according to Pitchfork, exemplified by: "I tell 'em Nicki be chillin'/ I'ma keep hurting their feelings/ Because you'll never be Jordan/ You couldn't even be Pippen/ You couldn't even be trippin'/ You can't afford a vacation/ I'm out in Haiti with Haitians/ I go to Asia with Asians/ You mad dusty/ You a lil' dusty possum/ I just come through with the six like my name was Blossom. "[29] Nadeska Alexis of the same publication wrote that "the rapper has finally found a bit of balance between her hip-hop roots and her pop persona," attributing that to the fact "while the radio-ready beat is certainly pop, Minaj also gets back to spitting bars," noticing Cassie's "sugary hook. "[13], The colorful visuals, set in an imaginary neighborhood, open with a white fountain flowing with pink liquid, introducing the director and the two artists in the video. "[21] Writing for Artistdirect, Rick Florino gave the song five out of five stars, calling it "one of Minaj's best tracks yet and a landmark song for 2012," thanking her for "changing the game again" and claiming that "there's no one as exciting as Nicki Minaj in either pop or hip hop. "[26], A writer for The Huffington Post stated: "The track is actually interesting because it vacillates from rap song to some version of a downtempo singer-songwriter tune. Key lyrics: “Middle fingers up ... “Fire Burns,” Nicki Minaj. Earlier this week, he took lyrics from 21 Savage’s “A Lot” to emphasize Donald Trump’s laundry list of problems. Her firstborn son turned three months old Wednesday. "The Singles Bar: Nicki Minaj featuring Cassie, "The Boys, "Nicki Minaj "The Boys" Song Review – 5 out of 5 Stars @ARTISTdirect", "Nicki Minaj & Cassie's "The Boys": Listen To The 'Roman Reloaded: The Re-Up' Single", "Nicki Minaj Releases Stupid, Fun Video for "The Boys (feat. The song was first sent to hot adult contemporary radio on 28 July 2014 … Minaj decided to keep Cassie's vocals on the track, but re-wrote the majority of the verses and additional production elements were also included. That’s why Nicki Minaj famously sang ‘for life, for life,’ and if the work is vindicated, best believe when it’s done it will be syndicated for life, for life,” Melber said. Over the years he has also quoted the likes of 50 Cent, Jay-Z, and Drake. [4] The song was released on September 13, 2012, being made available for digital download via the iTunes Store. “And just as Nicki declared herself in this very moment a king, the question here is if the Speaker will ultimately slay Goliath with a constitutional sling.”. "[45] Carrie Battan of Pitchfork stated the "bubblegummy single" had the "brightest video ever," detailing it as "an epic, rainbow-bright, gender-bending tale of revenge crimes against the entire male population. "[25] Carrie Batten of Pitchfork gave it a positive review by writing the track is "a zig-zagging pocket symphony whose bubblegum is so sugary it might actually raise your glycemic index just by hitting your ears. They detailed its structure: "Minaj lets haters know what they can do via a blunt, brilliant verse before the otherworldly cyber beat funnels into an impressive infectious robotized refrain," continuing that "then, utterly unexpectedly, the track descends into an acoustic strum and Cassie pristinely singing, 'You get high and fuck a bunch of girls and then cry on top of the world. Goodbyes Lyrics: Me and Kurt feel the same, too much pleasure is pain / My girl spites me in vain, all I do is complain / She needs something to change, need to take off the e-e-edge / So fuck it Cassie plays an androgynous-looking character, inspired by the Ken doll, that "mocks the boys a little bit." Minaj then starts the second verse inside of a colorful beauty salon, sporting a pink wig, getting her hair done. Last year, Nicki Minaj celebrated the tenth anniversary of her classic debut album, Pink Friday, by releasing a super deluxe new edition. Minaj begins walking down a colorful street rapping to the song, with men behind her dressed in pink holding umbrellas. "[16] It was written by Minaj, Anjulie Persaud, along with Jonas Jeberg and Jean Baptiste, who produced and co-produced the track respectively. It was Minaj's last single to be released by Universal Republic before the label went defunct and its artists roster moved to the revived Republic Records. Minaj can be heard saying, "Whoa, I wanna live on this block. "[22] Robbie Daw from Idolator said that the song "probably won't shake out as being the most memorable entry into Nicki's canon of jams," applauding Cassie's vocal contribution: "we dig the way Cassie's soft vocals glide in atop a shimmery acoustic guitar. The scene then cuts to Cassie in a white bikini in a pink and white polka dotted room with a giant ball of the same pattern. He then decided to quote a few lyrics from “Moment 4 Life” in order to get his point across. Nicki Minaj confirmed the re-release of Pink Friday: Roman Reloaded and its lead single in September 2012 at the 2012 MTV Video Music Awards, telling E! "[34] She teased still shots from the video in the days leading up to its release. Directed by Colin Tilley, the video was met with generally positive reception. Its lyrical content is described as a "fun but pithy kiss-off to men who try to buy love with money and jewels."

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